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Belleville, Spring 2017

By University Theater on February 12, 2017
Actor watches listens to actress speak as they sit on a couch Actor watches listens to actress speak as they sit on a couch
Actor laying in bed while looking at a laptop Actor laying in bed while looking at a laptop
Conversation between two seated actors and one standing Conversation between two seated actors and one standing
Two actors on a couch with one making a surprised and disgusted look as the other prepares something on the coffee table Two actors on a couch with one making a surprised and disgusted look as the other prepares something on the coffee table
Two actors lounge on a couch, one blowing smoke from his nose Two actors lounge on a couch, one blowing smoke from his nose
Female actress with kerchief on covering her hair Female actress with kerchief on covering her hair
Actor and actress on a couch; she's holding a stuffed animal and they're exchanging something with their hands Actor and actress on a couch; she's holding a stuffed animal and they're exchanging something with their hands
Actress poses with her hands on her hips Actress poses with her hands on her hips
Two actresses talk, while one looks surprised at an object she's picked up. Two actresses talk, while one looks surprised at an object she's picked up.
Actor seated on a coach speaks as the actress next to him listens. Faces from the audience are visible in the background Actor seated on a coach speaks as the actress next to him listens. Faces from the audience are visible in the background
Female actress in a sweatshirt sits in an empty bathtub as the actor in the background appears to light a smoking apparatus. Female actress in a sweatshirt sits in an empty bathtub as the actor in the background appears to light a smoking apparatus.
Standing actor and actress appear to be arguing Standing actor and actress appear to be arguing
Actor walking into a room looking delighted, while the female actress in the room looks shocked. Actor walking into a room looking delighted, while the female actress in the room looks shocked.
Female actress seated on a couch Female actress seated on a couch
Actor talks on a cell phone while leaning against the wall Actor talks on a cell phone while leaning against the wall
Members of the audience of the play, including Professor Adrian Giurgea Members of the audience of the play, including Professor Adrian Giurgea

Belleville, by Amy Herzog, a full length drama brings to life young Americans Zack, and Abby, who have the perfect ex-pat life in Paris: a funky bohemian apartment in the up-and- coming neighborhood of Belleville; a stable marriage; and Zack’s noble mission to fight pediatric AIDS. But when Abby finds Zack, at home one afternoon when he’s supposed to be at work, the questions and answers that follow shake the foundations of their seemingly beautiful life.

Starring Fiona A. Boateng, Jonathan Burton, Tariro Chinyanganya, and Abdel Aziz B. Sanogo. Belleville is presented by special arrangement with Samuel French, Inc.

  • Directed by: Adrian Giurgea
  • Scenic Design by: Marjorie Kellogg
  • Costume Design by: Fiona A. Boateng
  • Lighting Design by: Haoqi Xia
  • Technical Direction by: Joel Morain

“Belleville” was presented by special arrangement with SAMUEL FRENCH, INC.


Opening Night of Belleville: My Transformational Neighborhood

By Jackie Old Coyote-Logan on February 10, 2017

Yesterday…seems so far away…but not really. It is imprinted in my being. I am new to the Department. It has been an interesting journey to this point, I’m a little over a month in. I love Theater (yes, it deserves to be capitalized.), I love film, I love stories, and I love characters. So, in my imagination, I believe I will love this new position as the Administrative Assistant (AA) for Colgate University Department of Theater. What a mouthful…

The days before yesterday have been filled with learning: new names; places; protocols; software and platforms (I convinced myself to call them electronic forms so they wouldn’t seem so daunting). Meetings and deadlines have pretty much consumed my efforts – until yesterday.

Opening night of the Belleville Production. Yes, the deadlines very much included this as a goal, but it wasn’t my goal. It was a deadline. I saw the student actors and crew often. As an AA I smile at them, knowing they are students with demanding schedules and conflicting lives. And I leave the office, situated adjacent to the theater – Brehmer Theater. I saw the set. Sometimes I saw the students gathered around their Director, Adrian Giurgea. Each day as I would leave my office, and the Theater was there—filled with empty seats and stage set, but empty—I knew something more happened there when I left.

Each morning, I would have a new report, telling me in cryptograph, what happened in my absence. I would scan the report for my name or any “To Do’s” that might be generated for me.

Opening night for me meant, “Did I meet all my deadlines? Were they met well? Will our efforts generate enough interest to fill the seats?” And of course there was also my self-talk: “What is my role? How should I dress?”

At curtain call I was shaking. Not cold, not hot, just physically a tiny tremor throughout my being. Then a brief announcement about the production, and slowly, the characters caught my attention. (Why slowly when they start on stage? Hmm…)

And literally, within minutes, my sense of place and being are transformed from the Brehmer Theater, adjacent to my office, to a small apartment in Belleville, France. I am mesmerized. The set that I saw every day became alive, a character in Belleville as much as the living, breathing beings who temporarily inhabit the skin of characters from the pages of a play I read during my lunch one day.

For almost two hours, I am consumed by the scenes in front of me, happening adjacent to my office. (I want you to come experience the play yourself so no spoilers here!!) I think more than consumed and transported, I was indescribably awestruck.

I have images from a movie, “Night At the Museum,” where havoc is wreaked in the ‘closed’ hours of the Natural Museum of History. I thought how Brehmer Theater was akin to this…a place for me of deadlines, papers, electronic forms, an office, lives its own entity with its own stories at night. To the general passerby, the Brehmer Theater leaves much untold.

The student cast and crew, have their lives, their own obligations to being Colgate students. I know these rigors and demands myself, not at Colgate, but still…So when I see them become new people, in a new place, from a place very familiar and set in stone (perhaps literally?!) I stop shaking, but not really, it is more that the shaking takes on a new dimension. I’m rocked to my core.

The discipline, dedication, teamwork, talent, and courage by everyone involved leave me speechless. I don’t even think about what I’m wearing or the next deadline. I’m in Belleville.

And that was yesterday. I now have an living, breathing story and Belleville to gauge my perspective. I know, beyond theory, why the work I do matters, why the deadlines are important. I am humbled and proud at the same time, to be part of the team. I rise to my feet in applause for everyone behind opening night of Belleville.

And up next, 4 more opportunities to be transported and transfixed. You too can join, Brehmer Theater, Thursday – Saturday @ 7 pm, and last chance, Sunday, Feb. 12 @ 2pm!


Teamwork! Colgate Theater

By University Theater on January 30, 2017

No theater production can be successful without significant teamwork. Here is just a bit of what it takes:

 


One Way Red

By Contributing Writer on December 7, 2016

one way red

Performed: Fall 2016
Director: Mason Rosenthal
Performer: Dani Solomon ’13

The Medium Theater Company’s One Way Redis a meditation on why we look to other planets to solve our earthbound problems. Based on accounts of applicants to join Mars One, a real-life non-profit dedicated to establishing the first human colony (and reality TV show) on Mars, One Way Red is a solo journey from a bedroom floor in Waltham, MA to the surface of the Red Planet. The show follows the story of a young woman, played by Dani Solomon ‘13, willing to put faith in a mission with an improbable chance for success. Our anti-heroine, awash in a vast desert of empty NetFlix sleeves, broadcasts her reality TV confessionals back to Earth in monologues, folk songs, and movement.

FULL GALLERY


One Way Red, Fall 2016

By University Theater on October 6, 2016
Actress Dani Solomon '13 sits on the edge of a bed on set Actress Dani Solomon '13 sits on the edge of a bed on set
Actress Dani Solomon '13 sits at a desk next to a bed on set Actress Dani Solomon '13 sits at a desk next to a bed on set
Actress Dani Solomon '13 in a jumpsuit and motorcycle helmet, under a blanket on a bed on set. Actress Dani Solomon '13 in a jumpsuit and motorcycle helmet, under a blanket on a bed on set.
Actress Dani Solomon '13 holding a small vacuum, in a motorcycle helmet and swimsuit, running through the hall Actress Dani Solomon '13 holding a small vacuum, in a motorcycle helmet and swimsuit, running through the hall
Actress Dani Solomon '13 shades the visor of her helmet as she peers into the distance Actress Dani Solomon '13 shades the visor of her helmet as she peers into the distance
Actress Dani Solomon '13 in a swimsuit and tanktop on set, while putting on a motorcycle helment Actress Dani Solomon '13 in a swimsuit and tanktop on set, while putting on a motorcycle helment
Actress Dani Solomon '13 in a swimsuit and tanktop on set Actress Dani Solomon '13 in a swimsuit and tanktop on set
Actress Dani Solomon '13 in a jumpsuit prepares to mount a bicycle on set Actress Dani Solomon '13 in a jumpsuit prepares to mount a bicycle on set
Actress Dani Solomon '13 in a jumpsuit pointing a floor lamp at herself on set Actress Dani Solomon '13 in a jumpsuit pointing a floor lamp at herself on set

Don’t feel lonely all alone. Quit your cruising through reality television and YouTube self-help. Take a one-way trip to Mars with the Medium Theatre Company in ONE WAY RED. First, spacewalk through a constellation of performance and visual art installations, each floating detached in deep space. Then, follow one woman’s journey from a bedroom floor in Waltham, MA to the surface of the Red Planet in a solo performance awash in a sea of red Netflix sleeves and iron oxide dust. The next rocketship to Mars blasts off in t-5…4…3…2…

Credits

  • Co-created and performed by: Dani Solomon ’13
  • Co-created and directed by: Mason Rosenthal
  • Designed by: Morgan Fitzpatrick Andrews
  • Costumes by: Rebecca Kanach

Together, Dani, Mason, and Morgan make up the Medium Theatre Company.

ONE WAY RED is performed with support from the Rutherford Hall Foundation and Colgate University.


Medium Theatre Company Rockets Colgate to Outer Space

By University Theater on October 3, 2016

Dani Solomon '13 in a desert crater taking a selfie on a promotional poster for ONE WAY RED

On October 6, the Medium Theatre Company offers a once in a lifetime opportunity to journey to the surface of the Red Planet in a special performance of ONE WAY RED, sponsored by the Colgate University Arts Council, the Department of Theater, and the Department of Physics and Astronomy. Lucky for audiences, this Mars is conveniently located on the Colgate campus. ONE WAY RED is an interdisciplinary work of science fiction in the Atrium of the Ho Science Center. The show will be performed on October 6 at 7:00 p.m. Admission is free.

The Mediums’ ONE WAY RED is a meditation on why we look to other planets to solve our earthbound problems. Based on accounts of applicants to join Mars One, a real-life non-profit dedicated to establishing the first human colony (and reality TV show) on Mars, ONE WAY RED is a solo journey from a bedroom floor in Waltham, MA to the surface of the Red Planet. ONE WAY RED follows the story of a young woman, played by Dani Solomon ’13, willing to put faith in a mission with an improbable chance for success. Our anti-heroine, awash in a vast desert of empty Netflix sleeves, broadcasts her reality TV confessionals back to Earth in monologues, folk songs, and movement.

“Mars holds a lot of space in today’s collective conversation, from NASA’s plans to visit Mars in the 2030s and Mars One looking to colonize the planet before them,”says Solomon, lead artist and performer. “Are we taking another giant leap for mankind? Are we running away from Earth? Or is it both?”

ONE WAY RED is co-created and directed by Mason Rosenthal, with Morgan Fitzpatrick Andrews as lead designer. Together, Solomon, Rosenthal, and Andrews make up the Medium Theatre Company.


Nick Gillette ’06 and Dani Solomon ’13 featured on WHYY

By University Theater on September 7, 2016
Dani Solomon '13 in what looks like an extraterrestrial crater with a laptop nearby

Dani Solomon ’13 in One Way Red

Colgate Theater Department alumnae Nick Gillette ’06 and Dani Solomon ’13 were recently featured on the WHYY radio program News Works Tonight (audio starts at 15:14) as the next generation of experimental theater artists in Philadelphia.

Both Gillette and Solomon have remained closely connected to Colgate. Gillette’s company Almanac Dance Theater brought their piece Communitas to campus as Christian A. Johnson Artists-in-Residence in the spring semester of 2016, and Solomon will perform her solo show One Way Red at Colgate this October.


Audition for Amy Herzog’s Belleville

By University Theater on August 25, 2016

Torso of slender man in skinny jeans, photo flipped sidewahysYoung Americans Zack and Abby have the perfect expatriate life in Paris: a funky bohemian apartment in the up-and-coming neighborhood of Belleville; a stable marriage; and Zack’s noble mission to fight pediatric AIDS. But when Abby finds Zack at home one afternoon when he’s supposed to be at work, the questions and answers that follow shake the foundation of their seemingly beautiful life.

Directed by Adrian Giurgea

Open auditions, all welcome, no experience necessary

August 30-31 and September 1, 7:00-8:00 p.m., Brehmer Theater, Dana Arts Center


Theater Department welcome letter to Class of 2020

By Jason Kammerdiener on August 25, 2016

Dear class of 2020,
What does it mean to study theater in college?  In his Lives of the Most Eminent Painters, Sculptors, and Architects, published for the first time in 1550, Giorgio Vasari tells the story of Michelangelo’s most beautiful statue. Piero de’ Medici, the ruler of Florence asked the sculptor to make in his courtyard a statue of snow. Of course, the statue vanished without a trace. It survives only as the memory of something fleeting, unrepeatable, fragile, and unique.

This is the story of theater, the only art form that is not reproducible, the only art form that is made from the immaterial substance of our dreams. If life exists, theater exists. If theater didn’t exist, then life wouldn’t exist, either.

Here, in its transitory and brief identity, resides theater’s particular strength, to express complex truths with visual and verbal clarity. At Colgate, in our Theater Department, we teach theater by making theater. The lesson of theater is not a theoretical one but a human idea of theater, which is a poetic art, the art of equilibrium, the metaphor of our life. Because, in the end, you are the transitory substance from which theater is made–you and your sense of adventure, your imagination, your curiosity, your hunger for knowledge. What we, our teachers offer in return, is dialog in creative conduit and our desire to explore and reimagine great works of art as mirrors for your generation.

Sincerely,

Adrian Giurgea
Professor and Chair, Department of Theater


A Map of Virtue

By Contributing Writer on June 7, 2016
Performed: Spring 2016
DirectorApril Sweeney
Erin Courtney’s A Map of Virtue is a changeling: a play, a poem, a bird song, a moment of exchange, intimacy, terror, love and longing. She asks us to see what we don’t see and not to see what we see. She questions us–begging the difference between chaos and symmetry, choice and fate, and dark and luminousness inner spaces. She asks whose story is it, anyway. The Bird Statue? Sarah and Mark? Ray and June? Seductively she asks us is there a path to follow, a belief to have, a map to make. And we —can watch and be marked by this — this funny, strange, changeling of a thing.